As ASM for this world premiere production, my work revolved around navigating the unique challenges that arise when you don't have a permanent backstage space to work with. 

The set was centered around a large 16-foot wall on air casters which moved to different positions onstage at various points in the production, including a full rotation. With each move, anything we had hidden upstage of the wall--including props, costume pieces, smaller set pieces, and cast/crew members--all had to move along behind it. My job was not just to lead scene shifts, but to plot out how everything and everyone could comfortably fit upstage while still staying out of audience sightlines.